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Magnify Audix Dvice Drum Microphone Clamping System
Audix Dvice Drum Microphone Clamping System
Audix Dvice Drum Microphone Clamping System
Drum set clamps
Audix
The D-Vice by Audix is a super tough rim-mount mic clamping system featuring a quick release 'Sure-Grip' spring-loaded clamp and a heavy-duty gooseneck for quick and precise adjustments. Accepts standard 5/8' thread mic clips. With a low profile and a unique mounting system, the D-Vice will attach to the rim of most drums and rimmed percussion. Providing a benefit to both the player and the engineer, the low profile mount will provide precise positioning and can be attached using only 1 hand. Precision molded out of composite material, the patent pending D-Vice can easily accommodate any 5/8' microphone clip. With the introduction of the D-Vice, the drummer's concerns about microphone positioning are eliminated. Audix has subjected the D-Vice to rigorous road testing and it is rock solid. With the low profile and low mass, it is extremely convenient for the drummer and the engineer.
AUI DVICE
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  $24.95
 
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Magnify Audix Dflex Micro Wide Jaw Mounting Clamp For Micro Series
Audix Dflex Micro Wide Jaw Mounting Clamp For Micro Series
Audix Dflex Micro Wide Jaw Mounting Clamp For Micro Series
Drum set clamps
Audix
The Audix DFlex Micro is a wide-jaw butterfly clip with shockmount designed to hold the Micro and Micro-D series microphones. Gives the ability to mount these mics on drum rims, wood hoops, stands and piano rails.
AUI DFLEXMICRO
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  $29.95
 
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Magnify Latin Percussion Lp Claw
Latin Percussion Lp Claw
Latin Percussion Lp Claw
Drum set clamps
Latin Percussion
The LP Mic Claw® ensures solid placement of microphones on snare drums, toms, congas and amplifiers. The Z shaped 3/8' diameter microphone rod allows for close, as well as extended, mic positioning. The rubber lined jaw and mount isolates the microphone from drum vibration and cross talk. The LP Mic Claw® is the absolute best way to mic any acoustic drum or amplifier. The LP Claw is the most unique mounting system of its kind in the world. Introduced in the early eighties, it has since become a standard among studio engineers, drum techs, drummers, and percussionists in all areas of music. The unique design of The LP Claw provides a variety of placement choices for splash cymbals, percussion accessories, and microphones. The newly contoured jaws, with lined rubber mounts, fit tight to any standard drum rim and to all LP rims including traditional, LP Comfort Curve® II, Matador Soft Strike™, and CP EZ Curve®. The new longer body allows the jaw to open wide enough to fit bass drum hoops and close enough for the side edges of amplifiers. LP's super gripping eye-bolt assembly is now used to firmly grip the accessory rods included with all models. The accessory rod pivot allows for full 360° rotation for precise rod positioning. About LP Passion. It is the force which drives all human beings to achieve, to strive and to make their dreams come true.The story of Latin Percussion, Inc. is the passion of one man. A passion which drove him to create, innovate and unmistakably change the face of percussion forever. In 1956 a young mechanical engineer and avid photographer from the Bronx named Martin Cohen happened upon New York's famous Birdland jazz club. He walked in and was greeted by the sounds of Cal Tjader's hot Latin jazz. Cohen was so taken by the infectious music that he became a regular at the Monday night jam sessions, which were headed by flutist Herbie Mann with percussionists like Candido and Jose Mangual. It was Mangual in particular who was an inspiration to Cohen. 'Up until then, there was no role model that exemplified greatness,' Cohen said. 'That's what I saw in Mangual, and that's what I wanted to be, somebody who had that mastery of something.' Cohen became a student of the 1960's Latin scene, and soon wanted his own set of bongos. It was then that he learned about the politics of Latin percussion. Because of the government-imposed trade embargo against Cuba, finding good instruments in the United States was a difficult prospect at best. This obstacle did not dull the passion of young Cohen, however, and he put his engineering skills to use and created his own set of bongos. Using photos of Johnny Pacheco's bongos, he created his first prototype. Of course, practice makes perfect, and this first attempt was not exactly flawless. 'This was the beginning of my learning,' Cohen said. 'I knew nothing about machining or about wood or metal working. The first wood bongo shell wa
LAT 592A
Latin Percussion Claw, microphone claw, lp592a
http://www.lduhtrp.net/image-3360042-10587833
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Drum Set Clamps 1 to 3 of 3